Abstract:In this article I stage an encounter between Adriana Cavarero's account of uniqueness and Hortense Spillers's account of the flesh. Doing so is valuable for two reasons: First, it forces Cavarero's thought to consider not only the exclusion of women from the Western tradition, but also the anti-Blackness foundational to this tradition. This both expands and contorts Cavarero's thought, affirming her key claims while also altering them in the process. Second, reading Cavarero and Spillers together allows me to explore the (...) way forms of life that evade representation can be known. Both uniqueness and the flesh are evasive of representation; by reading them together—supplementing Cavarero's consideration of the embodied character of uniqueness with Spillers's distinction between body and flesh—I develop an account of apprehension that emphasizes touch as a way of knowing apart from representation. Apprehension takes seriously the ambivalence in Spillers's account of the flesh, whereby it is both revealed through violence as well as through practices of care, which, as Saidiya Hartman has made clear, are often in a proximate relation in the ongoing legacies of transatlantic slavery. (shrink)

Since its publication in 1985, Elaine Scarry's The Body in Pain has become a seminal text in the study of embodiment. In its foregrounding of the body in war and torture, it critiques the minimising of the body in questions of politics, offering a compelling account of the structure and phenomenology of violent domination. However, at the same time the text can be seen to shore up a mind/body dualism that has been associated with oppressive forms of gendering, racialisation and (...) disablement. Divisive, powerful and elegant, the text has been central in the shaping of approaches to embodiment over the past 30 years. This special issue revisits Scarry's text in the light of 30 years of scholarship on embodiment and the body. Its legacies and limits are exemplified through a series of articles that mobilise the arguments of The Body in Pain even as they push at the limits of the text. (shrink)

In this article, I critically engage Adriana Cavarero’s account of uniqueness via an analysis of her work on narrativity and violence. I suggest there is an ambivalence in Cavarero’s account of uniqueness: Cavarero argues both that uniqueness is susceptible to destruction, and that it cannot finally be annihilated. To make this clear I use Cavarero’s account to read a narrative offered by Miklós Nyiszli, of a woman who survived an Auschwitz gas chamber. I contrast this to Cavarero’s reading of Eurydice (...) and Orpheus, arguing that the ambivalence in Cavarero’s account can be resolved by thinking an excess proper to uniqueness. (shrink)

In this article I further Adriana Cavarero and Nidesh Lawtoo’s discussion of “mimetic inclination” to consider the way a person can be known in their uniqueness. Cavarero says that we receive a sense of the uniqueness of another by relating their narrative. I suggest that this also reveals a sense of the uniqueness of the one narrating, and that this can be understood as a practice of care. This narration is, as a consequence, distinct from representation (which itself is distinct (...) from mimesis) and is better described as apprehension. By drawing on Toni Morrison’s Beloved and Christina Sharpe’s In the Wake: On Blackness and Being, I detail a primary form of care connected to apprehension that is engendered by what Sharpe calls “the weather of antiblackness”. Morrison both details this form of care in Beloved and practises it herself in her storytelling. This expands feminist analyses of vulnerability, providing critical resources for rethinking existence apart from its colonial and patriarchal articulation. (shrink)

This article compares the accounts of politics found in the work of Adriana Cavarero and Jacques Rancière. It argues that when Cavarero offers a formal account of politics she thinks politics with...